PHOTOBOOK – MAKING THE HANDMADE
TUESDAY NOVEMBER 15 2016, 6-9pm
See demonstrations and then do it yourself – tips, tricks and secrets
- Folding, stitching and sewing
- Materials, methods and making
Demonstrations and Practical hands-on
- The 8-page single sided fold booklet
- The 3-hole pamphlet stitch
- Concertina and snake books
This workshop requires a minimum of 4 participants to run.
PHOTOBOOK – CONCEPT & DESIGN
MONDAY NOVEMBER 14 2016, 6-9pm
As a participant in this workshop you will gain awareness and knowledge of how to create documents and templates, design, colour manage (for books), select papers, prepare files, print and output self-made photobooks.
- Using the computer and Photoshop to design photobooks
- Design resolutions that help the hand-making
- Pagination and imposition
- Inkjet technologies
- Selecting papers for book-making
Designing codex books, concertina books and flipbooks
A minimum of 4 participants is required for this program to run.
WESTERN QUEENSLAND DROUGHT APPEAL
A ONE DAY EVENT
AUGUST 6TH, 2016 @ 6pm
9 ANTE PORTAS was at its inception in 2008 a group of nine talented women friends who, as the name suggests, were ‘before the gates’ of their new, post-mothering lives….as artists in various forms.
8 years and 8 annual 9 ANTE PORTAS art shows later their goal remains intact, their art has grown out of sight and through it, many of their dreams have been realised.
Significantly, 8 different charities have benefitted from their generosity.
The 9 ANTE PORTAS annual art show in Brisbane is firmly embedded in the Exhibition Week calendar of social events. In 2016 they have pleasure in inviting all and sundry to witness their collective and truly gorgeous art at their 9th Art Exhibition, to be held at Maud Gallery in Newstead.
©jane grieve – writer – 9 ante portas
Opening night event March 9, 2016
Address to the opening by Louise Martin-Chew
Acknowledgement of the traditional owners: Jagera and Turrbal people
I am not an expert on photo documentary: my interest is in art and artist stories. I’m interested in the way in which we may tell and share these stories most effectively, and it is the many narratives, often those that are hidden unless you are part of that experience, or sub culture, that is at the heart of this exhibition of new photography.
Traditionally, in the Western tradition, documentary may have implied an impartial view, an arms length portrayal, a practice designed to fairly present all sides. Whether or not that was really possible has been long since been undone with post-modern readings: a worthy subject was itself a loaded instrument. And what we didn’t see–the lonely, the homeless, the Indigenous and otherwise dispossessed–was legion.
Commonly, however, in recent years, we tell stories from within. It has become more powerful to take the journey with the subject, and offer up that position, of partiality, as our credibility to be in the narrative. And this has only empowered the story, and evidence of that, the power of the embedded position, is visible in the work we see here today. This exhibition crystallises so many of those areas of the unseen.
What is most striking about these images are the insights that they offer, which will be read differently by each of us. What they have in common is the placement of the artist/photographer in the frame (visible or not), they are presenting their own view of the subject and the cumulative value of the embedded experiences–the artist and the subject–become more than the sum of their parts.
Writ large on the walls here are some hidden histories of contemporary society, the experiences we may not have had, or understand, if don’t share them, the opening up of dialogue of the bereaved, dispossessed, ill and sad.
But it is not all poignancy and heartache, although we do meet a powerful emotional register in those who are childless (through the work of Gillian Jones), and the realities of illness (in the embedding of Louis Lim in the Children’s Hospital and the journey that Elise Searson took with the Lyme Project).
There are also vignettes that crystallise what we may not know we know about contemporary life (with the disconnected blurriness of the human pulse arrested by Thomas Oliver’s imagery), the experience of Biophilia–the primal and forceful need humanity has for environmental connection with Cale Searston, the performative power of taking images themselves abstractly evoked by Chris Bowes.
There is the personal journey of place in Marc Pricop’s evocative images and a very gentle political exploration of humanity and the current environmental flashpoint in the work of David Mines. Richard Fraser’s exploration of a sexual subculture is gentle, humorous, and unbundles with strength the mainstream assumptions that may have been made about an edgy physical practice that includes bondage.
The power of this collection of works by a very talented group is simply summed up I think: Art may not be able to save the world, but it has an unparalleled ability to help us understand the individuals that comprise a community, a country, a continent = the world. And that may be sufficient.
9 March 2016
The Mexican Photobook Event
February 17, 2016
4pm – 8pm
Artist Talk 6:30 pm
To register click here
“The Photobook Collection” is a small compilation of Mexican photobooks and includes traditionally and self-published books of different types of manufacture in large or limited editions.
It features the work of some of the most renowned photographers in Mexico.
The Photobook Collection is an initiative of Ana Paula Estrada, Mexican photographer who lives and works in Brisbane.
The collection will be presented for the first time in Maud Gallery in Brisbane, Australia. Join Ana Paula for a talk about the books from the collection!
This event is a collaboration between Ana Paula Estrada, Doug Spowart and The Photobook Club Brisbane and Maud Gallery.
DEREK HENDERSON – How to make a career as a fashion photographer – workshop
October 24, 2015
TIME: 4pm – 8pm
BOOKING: Click here
Numbers are strictly limited
A first time in Brisbane opportunity to join one of the hi-profile international fashion photographer Derek Henderson, for his insights into “how to make a career as a fashion photographer”. In this personalised workshop, Derek will share his vast knowledge of the industry, he will discuss his creative workflow and processing and he will review your portfolio if you wish. This is a limited numbers workshop to ensure a personal interaction with all the participants.
Derek Henderson, New Zealand born, has spent the better part of the last twenty years in New York, London and Los Angeles before returning in 2007 to the Southern Hemisphere. Henderson currently divides his time between Auckland , New Zealand and Sydney, Australia. Aside from his innovative and distinct work in fashion photography, Henderson also exhibits work as part of his fine-arts practice both nationally and international.
With Derek’s penchant for turning ordinary everyday scenes into mysterious beauty it’s no surprise he continues to work with leading ad agencies and magazines the world over.
Henderson’s varied subject matter is united by an approach marked by a kind of democratic naturalism, where all phenomena is given equal attention. Although variously described as anti-heroic and anti-iconic, Henderson’s interest in the ‘ordinary’ can be deceptive and his narratives often reveal themselves to be more complex and unsteady than they first appear.
Recent exhibitions include: Paradise Lost (Melanie Roger Gallery, Auckland, New Zealand, 2015) A change came over the waters (McNamara Gallery, Wanganui, New Zealand, 2014) Lets hope they’re friendly (Melanie Roger Gallery, Auckland New Zealand, 2014) Mercy Mercer ( Australian Centre of Photography, Sydney, Australia, 2009) The terrible boredom of paradise (Centre of contemporary photography, Melbourne, 2006) Work by Henderson has also been the subject of two major monographs The terrible boredom of paradise (2005) and Mercy Mercer (2009). Derek Henderson is one of this regions most renowned and dynamic photographers.
Christchurch Art Gallery Te Puna O Waiwhetu.
Pah Homestead Auckland, New Zealand.
McNamara Gallery, Wanganui, New Zealand.
Melanie Roger Gallery, Auckland, New Zealand.
“Lets hope they’re friendly” Melanie Roger Gallery, Auckland, New Zealand September 2013
“The Trees are Big and The Sky is Blue” McNamara Gallery,Wanganui,New Zealand March 2012
“Mercy Mercer” Anna Bibby Gallery, Auckland, New Zealand, 2009.
“Mercy mercer” Australian centre of photography, Sydney , NSW, Australia, 2009
“I go down to the river to pray” McNamara Gallery, Wanganui, New Zealand, November 2007
“ The Terrible Boredom of Paradise” at Centre of Contemporary Photography,
Gallery One, Melbourne, Australia, 7th July – 26th August 2006
“ The Terrible Boredom of Paradise” at Pataka Gallery (Porirua) part of the
International Arts Festival Wellington, New Zealand, Feb – April 2006
“ The Terrible Boredom of Paradise” Curator Space, London 5th August 2005
“ The Terrible Boredom of Paradise” McNamara Gallery, Wanganui, New Zealand, July 2005
“ I don’t feel alone” Gallery 2010, Sydney, Australia 2003
“ Everybody knows this is nowhere” Gallery Wren, Sydney, Australia 2002
“Now and Then” Te Manawa Musuem, New Zealand, March 2012.
“Hijacked 2 Australia and Germany” Australian centre of photography, Sydney, NSW, Australia, 2010
“A serious kind of beauty; the heroic landscape” Aratoi Wairarapa Museum of Art and History, New Zealand, 2010
“ Derek Henderson and Michael Parekowhai” The Department Store, New Zealand 2009.
“Recent; work by ten New Zealand photographers, Tauranga Art Gallery, New Zealand, 2009
“ Glossy” National Portrait Gallery, Canberra, Australia 2000
“ Unpublished” R.M.I.T, Melbourne, Australia 1999
“The Terrible Boredom of Paradise” 2005
Authors Hanna Scott and Magdalene Keaney
“Mercy Mercer” 2009
Author Jan Bryant
Publisher Michael Lett
“Darkness of Noon” 2013
Publisher Pearce Publishing
In Between Moments
A photographic exhibition opening
October 23, 2015, 6pm – late
To register click here
Part II & III
October 17 & October 24, 2015
ANALOGUE CAMERA STUFF ‘SHOOTOUT’
Limited number of students – Lectures+Practical – includes film.
Times: 9.30am – 4.30pm
Cost: $320 per person
This two day workshop is suitable for participants with basic to intermediate knowledge of Black and White film photography with analogue cameras. You will be introduced to not only the technical aspects of analogue photography but also how to use the technology to make expressive and creative images. The workshop is hands-on with practical experience with all aspects of analogue including: camera and film use, film processing and printing black and white negatives in basic darkroom techniques.
Main topics in this session include:
- Using analogue cameras
- The creative controls of analogue cameras – the stuff that digital does not have…
- Secret & mysterious stuff about analogue photography including: ISO/Shutter Speed/Aperture/exposure/depth of field/perspective control/film selection
- Alchemy – how to set up your own darkroom
- How to print your own B&W photographs
On the first day participants will begin to master the camera and the day will conclude with a photoshoot to put new found knowledge into practice.
On day 2 films will be processed and printed revealing the real magic of the Alchemy and The Dark Arts.
We still have 2 places available for the Part II & III, to secure your place, email us at firstname.lastname@example.org
Dates for the next workshop, Part IV of Alchemy & The Dark Arts – ANALOGUE PRINTING A B&W FINE ART MASTERPIECE will be announced soon.
WORLD PHOTOBOOK DAY
October 14, 2015
WORLD PHOTOBOOK DAY EVENTS at MAUD GALLERY:
Event 1 : MY FAVORITE PHOTOBOOK EXHIBITION
– from 11.00am (FREE EVENT)
Throughout the day at MAUD GALLERY we will present an exhibition featuring the covers of the favourite photobooks selected by photographers from all over the country. Alongside the print of the photobook cover will be a ‘Why I like this book’ statement and a portrait of the photographer reading the book in their favourite place.
EVENT 2 : MY FAVORITE PHOTOBOOK FORUM
– from 5.30pm to 7.45pm ($5 Booking required)
Selected participants of the ‘My Favourite Photobook’ exhibition will participate in a forum in which they will discuss their books as well as aspects of photobook collecting and possession. A charge of $5 will be made for attendance at this forum which includes an opportunity to ‘Make Your Own Photobook Library’ (book).
August 30, 2015
FACES AND MASKS – GALLERY I
Meet the artist and join us for a drink and light refreshments.
July 24, 2015
TRANSIT-ORY exhibition opening night
Gallery I, from 6pm
July 24, 2015
Gallery II – DEATH VALLEY – exhibition opening night, starting @ 6pm
June 5 – two openings in one night
gallery II – IMMERSION
gallery I – ENGAGEMENT
Register here for an opening reception of the latest works by Cam Attree and Greg J Smith
Friday 5th June 6-9pm
2015 AUSTRALIAN PHOTO BOOK OF THE YEAR
Alchemy and The Dark Arts
April 15, 2015
The first workshop of the series is an evening of demonstrations and discussions intended as an introduction to Analogue Photography and to answer questions that contemporary analogue photographers, or those who aspire to making their own ‘fine art prints’, might have.
Sessions will have limited seating to ensure everyone’s hands-on involvement.
In this first session we will cover the topics of:
- Holistic and aesthetic aspects of the analogue image – Why / How will I know what is good? – What does the ‘fine art’ print look like?
- Cameras –35mm, 120 roll and large formats + Holgas/pinhole/Dianas – Tips about buying and using analogue cameras
- Considerations for a shoot – film/lighting/context
- Working with film and darkrooms – Speed and grain / using out-dated film – Processing film and Darkroom Safety
Doug Spowart and Victoria Cooper, both AIPP Master Photographers, will be presenting the ‘Alchemy & The Dark Arts’ program. Doug has on two occasions, been awarded a Hasselblad Masters Award and also the Highest Scoring Print in the AIPP APP Awards.Victoria and Doug have won art photography awards in Muswellbrook and Winton as well as the McGregor Prize. Well known photography identity Peter Eastway commented that, ‘Doug Spowart’s black and white darkroom work is second to none.’ Victoria and Doug have extensive professional practice in teaching and mentoring photographers and artists at all levels in the photographic processes.
This is one workshop not to be missed, presented by the Masters of Photography.
DATE: April 15, 2015
TIME: 7.00pm – 9.30pm
VENUE: Maud Gallery, 6 Maud Street, Newstead, QLD
FOR BOOKING AND INFORMATION:
phone: (07) 32161727
March 27, 2015
6 – 8pm
Join us for the official opening of the latest ND5 exhibitions NORTH and EAST
RSVP essential: email@example.com, or phone 0732161727
March 28, 2015
Don’t miss your opportunity to learn from Australia’s best image makers. Following on the success of the ND5 workshop last year, the guys are back! Avoid last year’s disappointment and book in early for this 1 day seminar as seats are limited. To reserve your seat go to: www.betterphotography.com and follow the links in the online shop. Tickets on sale from Monday 2nd of March 2015.
November 28 – December 5 &
December 14 – December 20, 2014
2014 Canon AIPP APPA Gold Award Exhibition
An exhibition of all Category Winners as well as all Queensland Gold and Gold Distinction Awards from this year’s Canon AIPP APPA Awards.
- AIPP Australian Professional Photographer of the Year – James Simmons
- AIPP Australian Creative Photographer of the Year – Kirsten Graham
- AIPP Australian Wedding Photographer of the Year – James Simmons
- AIPP Australian Family Photographer of the Year – Kelly Brown
- AIPP Australian Portrait Photographer of the Year – Peter Rossi
- AIPP Australian Illustrative Photographer of the Year – Keren Dobia
- AIPP Australian Documentary Photographer of the Year – Anthony McKee
- AIPP Australian Science, Nature and Environment Photographer of the Year – Joshua Holko
- AIPP Australian Landscape Photographer of the Year – Ricardo Da Cunha
- AIPP Australian Travel Photographer of the Year – Nick Rains
- AIPP Australian Sports Photographer of the Year – Matt Palmer
- AIPP Australian Commercial Photographer of the Year – Aran Anderson
- AIPP Australian Fashion Photographer of the Year – Peter Coulson
- AIPP Australian Advertising Photographer of the Year – Matthew Everingham
- AIPP Australian Book of the Year – Peter Eastway
- AIPP Australian Album of the Year – Nadine Saacks
- AIPP Australian International Photographer of the Year – Luke Edmonson
- AIPP Australian Emerging Photographer of the Year – Adam Williams
- AIPP Australian Tertiary Institute of the Year – Photography Studies College Melbourne
- AIPP Australian Student Photographer of the Year – Jacqui Hogan
- AIPP Australian Highest Scoring Image – Kelly Gerdes
- AIPP Australian Birth Photographer of the Year – Victoria Berekmeri
GOLD DISTINCTION AWARDS:
- Kelly Gerdes
- Adam Horizon
- Matt Palmer
- James Simmons
- Adam Williams
- Colleen Harris
- Mark Duffus
- Jose Aguiar
- Ben Clark
- Justin Blank
- Andrew McConachy
- Nick Rains
- Nadine Saacks
- Cameron Spencer
- James Simmons
- Marty Schoo
- Julius Pang
- Kevin Chamberlain
- Anthony McKee
- Lib Ferreira
- John English
- Ben Clark
- Luisa Dunn
- Jannick Clausen 2x
- Justin Blank
- Peter Rossi 3x
- Charmaine Heyer
- Steph Bowers
- Kelly Brown 2x
- Liz Harlin
- Darren Smith
- Elizabeth Reeves
- Kylie Garner
- Guy Havell
- Mark Schoeman
- Nick Rains 2x
- Tanya Love
- Irena Prikryl
- Darren Jew 2x
To join us for a celebration of this photographic showcase on December 16, 2014 @ 7pm, click here.
August 6 – September 13, 2014
by John Wiseman (AIPP), Emerging photographer of the year 2013 (NSW, ACT)
Opening night August 8th, 6pm
In RESPECTFULLY INTRUDING, John Wiseman brings to life the smallest and largest of exotic birds and often unseen reptiles and amphibians from the lush tropical rainforests of Costa Rica and the magnificent and larger than life animals of mysterious Africa.
Like many others, his initial interest was stimulated by the wonderfully generous and talented Ken Duncan, who shares his knowledge and enthusiasm for capturing stunning images of the world around us in a way that also captivates the photographer.
RESPECTFULLY INTRUDING will be opened by Ken Duncan on August 8th from 6-8pm. This is an RSVP event only, if you are interested in attending, please email us at: firstname.lastname@example.org
July 17, 6 – 8 pm
Jacqui Dean Translucence ‘UNHUNG’
Jacqui Dean TRANSLUCENCE ‘UNHUNG’ party is on at the gallery on Thursday July 17th.
Come and catch up with other fellow photographers on Thursday July 17th to farewell Jacqui Dean’s black & white fine art prints that we have the pleasure to exhibit at Maud Creative Gallery. It’s been a privilege to have such fine art in Brisbane for the first time and if you haven’t had the opportunity to see the stunning images yet, here is your chance to see them, or perhaps even acquire one, on this industry-exclusive night. Or just come along, visit the gallery and catch up with fellow photographers.
We know it’s a ‘school night’ so it won’t be a late one…we’ll have a beer or two between 6-8pm. Beer is $5/bottle (heavy or light), wine $5/glass and the cheese and crackers are on us. Please RSVP if you’re coming (email@example.com) so we don’t run out of beer…
Grand Master Photographer
June 18 – July 19, 2014
TRANSLUCENCE by Jacqui Dean
Jacqui Dean’s first Brisbane exhibition was opened by one of Australia’s much celebrated photographer and writer Robert McFarlane on June 18th, 2014. Amongst many guests and photographers were Doug Spowart and Victoria Cooper; see what they had to say about the exhibition on their blog WOTWEDID.
Queensland Festival of Photography
The 5th year of the biennial Queensland Festival of Photography organised by the Queensland Centre for Photography (QCP) is on during the month of April. Photo media exhibitions scheduled during this month throughout Queensland are invited to participate in the festival. As a newly opened gallery, we are proud to be a part of this event. Exhibiting in Brisbane for the first time, Maud Creative Gallery is proud to present the 2016 Shark Bay – INSCRIPTION by the ND5 collective, to be part of the Queensland Festival of Photography. Ninety Degrees Five (ND5) is a unique collaboration of five of the most creative minds in photography today. Working on the global stage, each artist is celebrated internationally for his imagery and imaginative approach. In a crowded market, these photographers are leaders. To preview the exhibition online, click here.
March 29th, 2014
QLD AIPP NIGHT AT MAUD CREATIVE
A light-hearted social get-together while your Qld AIPP friends are in Brisbane for the 2014 AIPP Qld Epson Professional Photography Awards. As part of the 2014 AIPP Qld Epson Professional Photography Awards celebrations, join us and wind down with your fellow photographers, judges and sponsors while viewing the current highly acclaimed ND5 exhibition 2016 Shark Bay – INSCRIPTION, featuring work by Tony Hewitt, Les Walkling, Christian Fletcher, Peter Eastway and filmmaker Michael Fletcher.. Date: Saturday 29 March 2014 | 6pm to 8pm Location: Maud Creative, 6 Maud Street, Newstead Q 4005 Cost: $15 including light refreshments. Details and booking: http://night-at-maud.eventzilla.net/
February 11th – May 24th, 2014
2016 Shark Bay – INSCRIPTION
the latest body of work by Ninety Degrees Five (ND5) collective, a unique collaboration between four photographers, Les Walkling, Tony Hewitt, Christian Fletcher, Peter Eastway and filmmaker Michael Fletcher. “Our work is an engagement with nature and culture as landscape, memory and myth. It seeks to support environmentality as a permanent concern for humanists, and to encourage and reinforce public concern for the fate of the earth, and our responsibility to act on that awareness. Shark Bay, the first known Australian landfall of a European in 1616, also symbolizes our glancing and uncertain relationship with this country and its physical environment, and the importance of vision, innovation and imagination in changing minds, lives, and policy, as well as in composing words and images.” The exhibition is an aerial exploration of Shark Bay, an untouched World Heritage listed area in WA. The unique viewpoint the ND5 group present Shark Bay from is a contemplative vision of one of Australia’s most unique and cherished landscapes. For detailed information visit the EXHIBITIONS page or click here.
February 8th, 2014
ND5 Seminar/ Workshop
If you are interested what some of the best Masters of Landscape photography have to offer, you might not want to miss the ND5 seminar/workshop, to be held in our gallery workshop on February 8th, 2014. Places are strictly limited, so if you are interested, we would encourage you to sign up ASAP on Peter Eastway’s website or click here.